This is the archive of gabba.cc, one of the first mp3 blogs.
This is one of the MOST rare songs of the New German underground.
This song was only issued as a flexidisc with the "Guter Abzug" multimedia package, combining 100 photos by ArGeeGleim (gleim@mail.isis.de ) (you can get a digital version there), Song lyrics edited by Peter Glaser, copies of fanzines, posters and a copy of ths flexidisc by austrian "artist" and just-be-er Xao Seffcheque. In 1981 he made a record called "Sehr gut kommt sehr gut" on Atatak Records. On this he recorded songs that sounded like then famous Underground bands of the time (Kraftwerk also among them!), but he recorded them all on his own, and they sounded like the originals! I almost believed him too, unfortunately (now) I did not buy the record back then, now I am dependant on anyone offering mp3s...

That was a nice media scam back then!

For "Guter Abzug" Xao recorded a New German Underground on 45 like the Stars on 45 of the time : Sterne on 45

ENJOY!



A live version recorded at Birmingham (UK)'s sadly now defunct Default club nights from all the way back in 2003. (I see a couple of Tilliander's tracks have already made it through gabba but unfortunately now seem unavailable) Those warm electronics are sadly missed although Stef and John Xela continue to impress with Type Records' output and have released more of Andreas Tilliander's work under his Mokira alias. This particular track dates from the same time as the ''Dutty & Digital EP but I'm not sure of the title - the live set was split that night between majestic dub electronics and stellar techno (although unexplainably the comp. recording on the website [defaultresponse.com] has reversed the actual order in which they came). The music that night filled a surprisingly empty room with a wash of sub-bass and to this day it still sends a shiver down my spine. Enjoy.



Tape Tum is these two belgian dudes Lieven Dousselaere and Benjamin Dousselaere. Inspired by the genius of Raymond Scott and studio wizard Brian Wilson from the Beach Boys, Tape Tum is something of a laboratory for experimental, organic electronics with pop sensibility, creating sounds for no-budget theatre, performance art and short films. A lovely Sufjanish track for a long, long, long summer...Been humming on this track since the first I heard it. Previously posted on Famous for 15mb.

Stopped myself in the last minute upploading Nelly Furtado's new single. (I would have been banned forever, but I think it's great!)Lo-Fi-Fnk are two Stockholm based guys playing catchy dancable electronic music. Their first album "Boylife" is only released in Sweden at the moment. I think that their signed to Moshi Moshi Records in the UK. You can see them live in London and Berlin in July - it's worth the ticket price! Found a nice video for this track also: http://www.youtube.com/watch?v=HncV97e62vE 

Super Mario Bros - 1985, Rapper's Delight - 1979, Pong - 1972, Atari 2600 - 1977, The Message - 1982, Planet Rock - 1983..

I am faced with a dilemma here: I love this song, I love this album, and I love this band, but I love them despite my better judgement. At first, I thought it was just a momentary lapse of taste on my part, but as I played the album (and particularly this song) to more and more people, I realized that it's the kind of tune that people fall in love with --- despite their better judgement.

To that end, I have been trying and trying to come up with a description that would make this song sound like something that a reasonable human would want to listen to, and I still don't know what to tell you. In a nutshell, Phoenix have released a full on soft rock album, you can't dance to it, and this song is the softest, least danceable of the lot. But even for all that, I can't think of a more perfect summer song: it's effortlessly laid back, sweetly melodic, and so earnestly bittersweet that even though you should revile it for the chugging guitars on general princple alone, it's so offhandedly gorgeous that you just can't. I realize that this is a bit abstract, but to me, it perfectly captures how a summer fling feels : it's simple and uncomplicated and just what you needed, and when it ends you're not upset or bitter, but when you look back on it you look back on it with a smile and just the slightest of twinges in your heart (plus, there's a winking Joy Division reference in the drums in the first bar, so it's not a completely guilty pleasure.)It's a great song, a great album, I love it, it's summer, and enjoy.



Carbooty #1, Summer Sundays are definitely all about Car Boots round my way, I'm sure the further you get from London the richer the pickings are.. So here's my first 50p score, an urgent flab of post-punk-funk, a walking bass, bleeps and steel drums from mute's Fad Gadget, and for some reason the smelliest piece of vinyl I've ever had, it almost hums with the odours of damp other undistinguishable things.

Carbooty #2, £1.50 worth this time, some 80's UK digi-dancehall, simple drum machine programming with the sweetest digi-bass wobble. The first record on the Mr Doo label, with some very home made graphics but nice heavy weight vinyl, I've ripped the Dub as well for extra value.

We don't have the Car Boots like that in Sweden, but there are these flea markets. People bring their crap (at least 99% of it) and sell it. I got this a couple of years ago on such a market and paid like 5 swedish kr for it.

I love old Wham tracks. Don't know why.

When alot of the mid '80s stuff is gloomy and doomy, wham made everything shine. I still like mix it in my sets now and then

This track is off a 7" double A side. It's the longest track I've ever seen on a 7" single (and when you hear the sound quality, you know why). On top of that the record is coloured with some serious scratch/cue noises that I've added during the years.

I guess that's the sound of a record you really like.



i've been particularly fond of hope of the staes who were tagged with a 'post-rock' label when they came out, with their epic songs, manic onstage crescendos and accompanying onstage projection shows. proclaiming to be heading in a more danceable joy division-esque direction, the new album is out this week. this is a stripped down acoustic version of the song they released as a limited 10" single, with its world-gone-mad sentiment of 'emergency, emergency, someone acted honestly'

Slackness. Most dancehall tracks get away with some of the more explicit/dodgy lyrics by translating them into such heavy patois/nonsense that to a non jamaican they could be talking about almost anything, so here's something a bit more obvious and probably very offensive. The minimal riddim (nookie) really makes me wanna turn this up to 11, but its probably not a good idea in a built up area..(NSFW)



Thanks jk* - I'm loving the 80s dancehall/reggae revival... From the duo who brought you 'Pump Up The Volume' (as M/A/R/R/S) here's a reworking of the Augustus Pablo track, 'Baby I Love You So' which may have slipped under a lot of people's radar when it was released back in 1986. Unfortunately probably best known for The Official Colourbox World Cup Theme (we like to keep it topical!) I don't think they ever managed to produce anything quite as good as this slice of dubbed-up electro reggae featuring Lorita Grahame on vocals. [Unfortunately no longer available on 12" you'll have to fork out for the decidedly patchy greatest hits (?!) compilation]

Because it's Time for another Jamaican Celebration on Gabba, Because it's the title track off what i think is a must have album, and because it's hot in the city. So how 'bout some 1982 sly and robbie produced Black Uhuru, Chill Out.......Chill Out........ Chill Out,  New York 

I don't really understand all the DJ rambles about in all them Jamaican stuff, but I love it still. I turn that right back to you all. Swedish skank, an excellent soundtrack for a summer night out. The Latin Kings are the swedish hip hop oldies. In broken swedish, featuring Daddy Boastin, they explain why they are the best.



Rember indie? Well i don't, apparently it was something white guys did to make smart girls sleep with them. Today smart girls only want to sleep with two men in the entire world (diplo and spankrock, sad but true) and that has apparently made som indie-rock dudes from the past pretty f**ked up. One of them started to ramble about white people, syncopated beats and rasiscm. Well Dear Nora & Casiotone For The Painfully Alone has made the best indie track EVVER! A cover of Missy Elliots hot boyz that is oozing of cocaine, booze, bad drugs, bad clubs, guns and f**king + other things that indie-kids hold close to their hearts.



Folk, balkan-pop, indie. 19 year old Zach Condon. I think it is quite similar to Jens Lekman. He quit school and moved to Europe where he got introduced to the eatstern-europe musicalstyles. He combines different folkmusic styles into one unique and personal sound.Anyway I love it and I hope youll like it too.
Check out his myspace for more songs.

Harold Bloom said there would be days like this: angry Venezualans demand the resurrection of Ian Curtis so they can shoot him. I think.

Fabulous Northern Soul tune - in my mind's eye I can conjure up what doing the 'Peanut Duck' might look like, but I can't get my body to match the moves. The most emotionally charged nonsense choruses I have ever heard closes it off.

Here's a all new mix (podcast soon I guess), all sorts of styles, I'm not sure my indecision in sticking to a style works on this one, and it skits around a bit, but I can guarantee that all the tracks are great, maybe the sequence isn't.

Tracklist:

El-B - Two Thousand, Various Production - I'm Really Hot, Max Peezay - Komfran,  Letroset - Cosmetic Lobotomy, Shano - Fly Di Grill, Putsch 79 - Living For The Arpeggios,  Telex - Moscow Disco, Scsi 9 - Senorita Tristeza, Aceyalone and RJD2 - Supahero, Brooks - BedBugs, Schneider TM - Pac Man/ Shopping Cart, One-Two - Say It Loud, Alex Smoke - Never Want To See You Again.



I seriously hate the didgeridoo, but that is mainly because the only time you hear one in scandinavia is when som bummed out backpacker is playing one whilst wearing only a scarf he bought while beeing on a spiritual mission in Goa. When real australians play it sounds dope, DOPE I TELL YOU! Wilcannia Mob is a group of kids age 9 to 12 from the godforsaken dump of Wilcannia, Australia. One day while fishing, watching jacki chan movies and swiming in the lake they met hiphop producer Morganics who put togehter this awsome track with the kids. The beat is seriously one of the best beats iv'e ever heard! Who knew that the didgeridoo and a guy beatboxing could be so fly? Anywas, the kids rap about real stuff, like fishing, walking on stylts and playing didg! DO NOT SLEEP ON THIS ONE!

Ennio Morricone again ... this time drafting in the detuned children of Midwich to add excess and horror over a thumping drum break.

[1293] Removed [el_tigro]

Removed



"What sort of adventures?" I asked him, astonished. "All sorts, Monsieur. Getting on the wrong train. Stopping in an unknown city. Losing your briefcase, being arrested by mistake, spending the night in prison. Monsieur, I believe the word adventure could be defined: an event out of ordinary without being necessarily extraordinary."

This song is one that I acquired during my tutoring a Japanese student here
on sabbatical.  He had a Nintendo Gamecube that we played after we finished,
and his mother gave me this song.  It's a Japanese single by the J-pop/techno/
rap band the Tongari Kids, and it's titled "B-Dash" for holding the B button down
to dash in Super Mario Bros.  It went from 36th to 6th on the Japanese music
chart; hope you enjoy!

My first track on here - decided on this one because I played it at a club last week and remembered that every time i play it someone asks who it's by....
This was released on the short-lived Stinkbomb records a couple of years ago, when the label disappeared so did the track - yet it's still popular with certain djs on the south coast of England.
4 to the floor 4 dance, but you soon realise there's a whole lot more to it than that.

This is from the self titled EP, I'm pretty confident this track will go down a STORM!!!!
If you like banging electro from New Zealand that is...
Feckin' A.

I'm still on my summer groves kick, So Here's a little slice of Summer Love from African wonder  Musician Manu Dibango. this is a 1975 slow burner, very jazzy, totally sensual, totally awesome 

It's my band. we wrote this song like 10 minutes before we recorded it, and didnt have full band so its not yet complete. it's very rough. the verse part reminded us of a beatles cover we heard a few weeks ago by the aggrolites so we sang it with our verse. that part isnt permanent, we're going to write our own words for it. this is basically the result of our jam sessions.

So after much preparation the Johnny Dark record krg instigated is out in the shops, I've heard it so much that i'm now a little blind to its wiles, so i'll quote my favorite review so far instead - "The echolocation hand-percussion and ghostly 80s digital keyboards sound like Nelly Furtado’s “Maneater” if it couldn’t keep a meal down" - Now go and buy the vinyl.

I just found this album and it's growing on me, this track sounds sorta like what i imagine an indie rock dance track produced by a grime dj would,  but the genre says "club" so you guys can label it. This is coming out of new york, but they are touring europe right now so if you like you should try to catch it. also chk chhk chk is touring europe playing new stuff unreleased over here stateside so check them out too. This is also the lst time i think i will be using gabba to host my files as i am starting my 2nd site that will be about both contempary art and music i like, it will be up in a few days so give it a minute and check out www.cult2vader.com   you can check these guys out here  http://profile.myspace.com/index.cfm?fuseaction=u ser.viewprofile&friendid=6003034

bad music >, jessew uploads banned for 1 week!

This is the latest release from epsilon lab, featuring the swede Staffan Linzatti. I would call this minimal, but still it has a few touches of house and a feeling of proto techno.
This one includes glimpses of the future as well as from the past. It´s warm, yet cold and mechanic, as you can see/hear, conrtradiction (in a positive way) haunts this tune!

Is this track anything special? Well, in one way no, you've probably heard it a billion times by now and it's really just another house tune... but on the other hand it's so outrageously catchy and fun, sounds awesome loud and is on the new Citroen advert with the ice skating car, so why not share it? Keep quiet if you don't like it cos I've been playing it on repeat in my car all day :) Apologies for zshare but at least its reasonably quick.

Downtempo Remix on a great track, originally writed by Gleb Kalinin also known as a Jeune Homme made by Lost Kluster. Electric beats, deep bass and  melody... thats all.  



bad music >, daithi uploads banned for 1 week!

This is my favorite song!!!!!!!!!!!!!!!!!!!!!!

There have been so many bands on gabba recently that I never heard of, call me an old fart, but once and again you need something to shed your tears with, even if it is tears of joy!

Just hang loose with this on replay! It works if you are happy or sad!



A track that earns its exclaimation marks! Coming on like a (very) hardcore Avril Lavigne  at a Paul MCkenna conference, this almost sounds like a cover of a riot grrl track, but sung by some bitter american male students.

Another excellent environesque slab of juicey bass twanging tech disco from Luke vibert. lovely.
The cover has more than a wiff of the TSW logo about it..
http://625.uk.com/logos/TSW.jpg
(sourced from the rather good www.dilate.choonz.com)

A new podcast, lots of dub on this one and a quick blast of high speed 8-bit booty bass, 37.15 minutes:

Drum Pan Sound - Reggie Stepper, Ickie All Over - Daddy Freddie, New Gun Fi Buss - Ninja Man, Phase the Phaser Dub -Mafia and Fluxy, Tinji - Slaughter Mob, J'aime pas l'Art - datA, Carnival 2 - Wiley,  A London Sumting - Tek 9, Three Tennies - Utabi, Chain Hang Low - Jibbs, Let There Be Light (DJ Funk remix) - Justice, 87c5875ucpro - Team Doyobi, Kabe - Ruff Sqwad, Samurai - Kode9, Cichli - Autechre, In My Moondreams - Brian Wilson and Andy Paley.

Subscribe now!



Jazzy housey remix of a song from a star wars movie. Sounds bizzare well its bloody awesome. You won't have heard anything like this b4. You might have seen another song by North Shore Pony Club called"computer games". Check out their video on youtube and myspace.com/northshoreponyclub for some more tunes if you like what you hear.



In the studio, THE MAD CONDUCTOR is the psychedelic rudeboy hip-hop creation of Dan McKinney (MC Kinney) and Chris Tray (MC Devlin). MC Devlin comes up with the skeleton of the song, and MC Kinney fleshes it out into a real, live breathing entity. MC Kinney plays pianos, organs, synth and programs all drums and percussion. MC Devlin plays guitars, bass and lays fat rhymes. Guest musicians and vocalists are featured as well.  on-stage they're a bit different.

Live, THE MAD CONDUCTOR is a 5 piece band featuring Chris Tray (a.k.a MC Devlin) on lead vocals and guitar, Rob Sadler (a.k.a Big Bird) on guitar and vocals, Danny Sadler (a.k.a Sinister Minister) on bass and vocals, Matt City (a.k.a. Matt City) on drums and vocals, and Dillan Reichl (a.k.a. DJ Rikal the Murderer) on Keyboards and percussion. Tight, energetic perfomances laced with humorous theatrics and psychedelic crowd pleasers set this band apart from other lame acts with no creativity.

If you don't enjoy the vocals in the first half, I could understand, I personally like them, but wait until the second half and check it out too.  If you like what you hear, check their myspace and give them a further listen.

I blame Andi f**king Peters...

In this 1990 classic, penned by Pete whylie, Margie Clarke spits her list of imperfect things through gritted teeth. The obvious contempt for every item listed in her oration makes every word sound spiky and poisonous, her spiteful tone and her wonderful scouse accent wrapping each word in layers of rusty barbed wire. Apparently it was used by Morrisey as intro music on a recent tour and although some of the things that make the list have lost their significance over the intervening 16 years since it's creation many remain targets of contempt today.

Produced by Andrew Weatherall there's also a much longer and more 'Weatherally' sounding version but it's break beat and heavy saxophone have dated it more than this shorter version which despite it's age retains much of it's power and venom.

I wonder what would be included in an imperfect list written today?



I'm really excited about posting this track, not only because it's a great piece of nu-jazz, but becuase it's from one of my favourite Australian labels Future Classic. I first came across Superpeople on last year's fantastic Attractions compilation. Starting quite minimal, it builds slowly but surely over its 9-and-a-half minutes. By the time you reach the end, you're still locked firmly into the same groove, but occupying a different space to the one in which you started. I don't know much about the artist, but he apparently was "nominated for the 2006 Australian Jazz Artist of the Year". By who, I don't know... Oh, and a tip: this track won't work at all through tinny little computer speakers. Rewards will come to those who listen through a decent stereo. (Can't do much about the bit-rate...Sorry!)

So a track about my hometown (nearly), Birmingham isn't really manchester in terms of musical heritage (erm, 40 years of metal and ocean color scene...) , so its hard to find much stuff that references it, and to be fair this doesn't really either, but its very quiet round here, anyone got any tracks about there hometown (sorry london doesn't really count, unless you can get postcode specific..) ?

Oher than the personal associations this is a vintage Nancy Sinatra / Lee Hazelwood B side, strings like a southern grawl and Nancys voice, you can't really go wrong..